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Both law and popular culture pervade our lives. Popular culture constructs our perceptions of law and changes the way that players in the legal system behave. Now in its second edition, Law and Popular Culture: A Course Book explores the interface between two subjects of enormous importance to everyone - law and popular culture.
Each chapter takes a particular legally themed film or television show, such as Philadelphia, Dead Man Walking, or Law and Order, treating it as both a cultural text and a legal text.
The new edition has been updated with new photos and includes greater emphasis on television than in the first edition because there are so many DVDs of older TV shows now available.
Law and Popular Culture is written in an accessible and engaging style, without theoretical jargon, and can serve as a basic text for undergraduates or graduate courses and be taught by anyone who enjoys pop culture and is interested in law. An instructor’s manual is available on request from the publisher and author.
- Sales Rank: #616553 in Books
- Published on: 2013-07-31
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .80" w x 5.95" l, .0 pounds
- Binding: Paperback
- 357 pages
Review
�An understanding of the interrelationship between law and popular culture is key to shaping the future of law and justice in contemporary society. While a number of areas may reflect and influence popular culture, one of the most powerful is cinematic entertainment. The second edition of Law and Popular Culture: A Course Book retains all of its original brilliance as the guide for creating a graduate or undergraduate course focusing on how the portrayal of attorneys and the legal system in film and on television shapes public perception of lawyers, creates viewer expectations regarding law and justice, and may even influence the conduct of practicing attorneys and judges.� (Taylor Simpson-Wood, Professor of Law, Barry University, Dwight O. Andreas School of Law)
�Law and Popular Culture: A Course Book is a welcome addition to the teaching literature in this important and burgeoning field. It may be used as a primary or secondary text, with a concise introductory overview followed by analytical chapters on important individual films or television shows in the context of this dynamic field of study. This structure, together with thoughtful organization (initially by broad topic such as ‘the adversary system’, and later by subject matter, either civil or criminal) facilitates teacher flexibility in which chapters to include and which films or television shows (or substitutes) to assign for student viewing before each class. I highly recommend this book.� (Donald Papy, Adjunct Faculty, University of Miami School of Law)
�While teaching an honors class on Law and Society, I found the Asimow - Mader book to be a constant source of quotable and relevant source material for classroom use. The chapters were especially nuanced in combining social science findings with insights from cinema studies. After retirement, I continue to find the chapters relevant in film lectures on legal themes to audiences of retirees. A second edition will make an original work only more relevant and up to date.� (Edward Gross, University of Washington, Dept of Sociology (emeritus))
�Michael Asimow and Shannon Mader convincingly argue that popular representations of law are crucial to how people understand and perceive the legal system. This is an important, social constructionist insight that is not stressed often enough in law schools. The book is very well organized and shines in its emphasis on cinematic techniques, using films as illuminating case studies through which to more fully understand the American criminal and civil justice systems. The authors’ cultural legal approach is exciting because it treats popular culture as just as worthy of study as the cases and statutes normally studied in law schools. This is the leading text for Law and Popular Culture courses - enjoy!� (Dr. Jennifer L. Schulz, Associate Dean and Associate Professor, Faculty of Law, University of Manitoba, Canada)
�Using both familiar (‘Anatomy of a Murder’, ‘Twelve Angry Men’) and less known texts (‘Counsellor at Law’, ‘Philadelphia’) from a variety of eras, Law and Popular Culture offers an excellent framework for introducing college students to the study of film and its pervasive influence on our understanding of the law and lawyers. Scholarly yet accessible, it works not only as an authoritative text on popular culture, but also as a clear and concise guide to understanding how our legal system functions, making it easily adaptable to diverse audiences, including freshmen students. The questions included at the end of each chapter work exceptionally well in generating spirited yet thoughtful class discussion and debate.� (Gary Peter, College of Education and Human Development, University of Minnesota)
�Law and Popular Culture is an excellent introduction to the legal system. The text is a comprehensive approach to law and popular culture that
About the Author
Michael Asimow is Visiting Professor of Law, Stanford Law School, and Professor of Law Emeritus at UCLA School of Law, Los Angeles. He teaches law and popular culture as well as contract law, taxation, and administrative law. Asimow is the editor of Lawyers In Your Living Room: Law on Television (2009) and co-author of Reel Justice: The Courtroom Goes to the Movies (2d ed. 2006). He has written numerous articles about law and popular culture.
Shannon Mader received his doctorate in Film Studies from the University of Southern California and taught courses in film aesthetics, film genre, and American film history at Loyola Marymount University. He is an attorney in Los Angeles, where his practice includes general commercial litigation, antitrust, intellectual property, and legal malpractice.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Highly recommended book about a hot topic
By Philip N. Meyer
Law and Popular Culture is a hot topic these days; especially how law is depicted in popular culture and, in turn, how popular culture influences the ways that law is understood and practiced. Asimow's and Mader's "Law and Popular Culture: A Course Book Second Edition" is a superb text well-designed for undergraduate, law school, and graduate school courses on this complex subject. The book is effectively structured and clearly organized: each chapter provides deeply insightful exploration of a movie or television program illuminating various aspects of the intersections between law and popular culture. The text is highly engaging and draws selectively upon relevant interdisciplinary materials. And the writing and analysis are remarkably clear-headed and uniformly first-rate. Consequently, this book is more than simply a course text: it provides compelling reading for anyone interested in this fascinating subject matter. Highly recommended!
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